Tenants of the House

 

 

These are six rooms on the third floor

of a triple-decker about sixty years old,

and from the scars of a ceiling

that no longer quite heals

a yellow, ancient-seeming water

drops after the first violence

each fall and spring. For six years

we have made a home here.

Before us, for thirty years, and old woman

lived in this space—alone, in the end—

with two enormous space heaters

and a kitchen stove fit for a family

of twelve. From her weÕve inherited

the bad wiring, the one wall socket per room,

the two closets, neither deep enough for hangers,

their plaster powdering a white silt

on shoe and suit that canÕt be got rid of,

and the relic of a refrigerator

which dims all the lights when it jerks,

like an old milk horse waking from sleep,

to its cumbrous, rumbling work.

She left the place, finally, too old,

and we came, and the new owners

into the apartment below, Jamaican,

who speak in the courtly English

imperialism has quixotically bequeathed them.

And with us our shelves, books, beds, pictures,

disarray, silt. And with them a soppy dog

they kept in the dark of the back stairs

and then lost, the perpetual throb

of a West Indian bass, and two cars.

 

Today a wry electrician broke in

on our Sunday breakfast and took on, six years late,

the jobs which the old wiring and the absent fixtures

and the dark corners had accumulated. Now we have light

where dim memory and another age persisted

and shiny outlets we canÕt imagine uses for.

 

When the man took up his tools,

I wandered like a deerstalker through the house,

in silent watch on this socket and that,

resentful of ownership—the wherewithal to provide

fixtures and to exact rent—and thought

of the old woman I never met

who walked out of here, after thirty years

of polish, dispossessed. In late afternoon,

I dreamt she climbed our three flights, young,

clopping loudly upstairs, like my daughter,

and perfunctorily put her key in her door . . .

From whom we have inherited the refrigerator,

too big, too heavy, too old to move,

which shudders now, as I write,

in its preserving work, all the lights

in the house, for a moment, dimmed.

 

(published in The New Yorker)